![]() Its “instantly addictive eight-note keyboard vamp” AMG was “one of Usher’s most muscular turns is so absorbing that Ludacris’ 1500th guest verse floats by with little notice.” AMG The song was definitely noticed, spending 12 weeks atop the Billboard Hot 100 and being named the song of the year by the magazine. The lead-off single, Yeah!, with its “crunk-meets-R&B foundation” AMG is the “only club track” AMG on the album. Usher worked with a murderers’ row of R&B and hip-hop talent, from Jimmy Jam and Terry Lewis to Jermaine Dupri to Just Blaze the album moves easily from club wreckers like the Lil Jon- and Ludacris-assisted smash ‘Yeah!’ to forgive-me-for-cheating ballads to love-you-forever duets.” RS’20 It ”turned him into an unstoppable juggernaut. It ended up as the second-best selling album of the 2000s behind Eminem’s The Marshall Mathers LP, WK “one of the last 10-million-plus sellers ever made.” RS’20 It sold more than a million copies in its first week, debuted at the pinnacle, spent nine weeks there, and generated four #1 songs – plus a fifth top-10 hit. However, Confessions took Usher to a new level. “Usher was already a star in 2004, a sly singer and slick dancer whose R&B hits found a home with pop fans.” RS’20 This was Usher’s fourth album, following two multi-platinum, top-5 outings which produced six songs to peak in the top 3. * Added to the expanded edition of the album.ģ.921 out of 5.00 (average of 25 ratings) Confessions Part II (remix with Shyne, Kanye West, and Twista).My Boo (with Alicia Keys) (9/4/04, 1 US, 1 RB, platinum single) *.Confessions Part II (4/10/04, 1 US, 5 UK, 1 RB, gold single).Yeah! (with Lil’ Jon & Ludacris) (1/3/04, 1 US, 1 UK, 1 RB, platinum single).Song Title (date of single release, chart peaks) Sales (in millions): 10.0 US, 1.2 UK, 20.0 world (includes US and UK) The classics are still the classics, but the canon keeps getting bigger and better.Peak: 1 9 US, 1 11 RB, 1 1 UK, 1 1 CN, 2 AU But that was part of what made rebooting the RS 500 fascinating and fun 86 of the albums on the list are from this century, and 154 are new additions that weren’t on the 2003 or 2012 versions. Of course, it could still be argued that embarking on a project like this is increasingly difficult in an era of streaming and fragmented taste. (As in 2003, we allowed votes for compilations and greatest-hits albums, mainly because a well-made compilation can be just as coherent and significant as an LP, because compilations helped shaped music history, and because many hugely important artists recorded their best work before the album had arrived as a prominent format.) When we first did the RS 500 in 2003, people were talking about the “death of the album.” The album -and especially the album release - is more relevant than ever. The electorate includes Beyoncé, Taylor Swift, and Billie Eilish rising artists like H.E.R., Tierra Whack, and Lindsey Jordan of Snail Mail as well as veteran musicians, such as Adam Clayton and the Edge of U2, Raekwon of the Wu-Tang Clan, Gene Simmons, and Stevie Nicks. To do so, we received and tabulated Top 50 Albums lists from more than 300 artists, producers, critics, and music-industry figures (from radio programmers to label heads, like Atlantic Records CEO Craig Kallman). So we decided to remake our greatest albums list from scratch. But no list is definitive - tastes change, new genres emerge, the history of music keeps being rewritten. Over the years, it’s been the most widely read - and argued over - feature in the history of the magazine (last year, the RS 500 got over 63 million views on the site). ![]() Rolling Stone’s list of the 500 Greatest Albums of All Time was originally published in 2003, with a slight update in 2012. ![]()
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